ERIC SCHNEIDER ORGAN QUARTET
with guest vocalist Bobbi Wilsyn
"Schneider represents the true spirit of jazz; walking in the footsteps of the giants while expressing a vision that is entirely his own."
-- Stuart Rosenberg, SPACE
"Vocal jazz in Chicago is almost inconceivable without Wilsyn"
-- Howard Reich, Chicago Tribune
Bobbi Wilsyn - vocals
Eric Schneider - saxophone, clarinet
Andy Brown - guitar
Dan Murphy - organ
Ernie Adams - drums
Eric Schneider’s musical adventures began early. Born and raised in the Chicago area, he was able to play melodies on the piano at age three. His formal studies started on piano at six. By age eight, his tendency to try to “improve” the music inspired his teacher to give him a boogie-woogie book, which resulted in his earliest experiments in composition and improvisation.
Clarinet lessons started a couple years later and by age fifteen he’d taken up the sax. Hearing Charlie Parker turned his musical life completely around, and he heeded the call. He dropped piano lessons, neglected the clarinet and started a passionate relationship with the alto saxophone.
After graduating from the University of Illinois with a degree in Advertising, he returned to Chicago and joined Jim Beebe’s Chicago Jazz Band. Earl Fatha’ Hines, who knew a thing or two about good, young saxophone players (and had hired Charlie Parker some thirty years earlier) heard about Eric and requested an audition tape. This resulted in a four-year stay, touring all over the world, as well as the LP, Eric and Earl (Hines insisted on second billing).
With Hines’ blessing Eric accepted Count Basie’s offer to join the Basie Orchestra and subsequently occupied the “hot” tenor chair for two years, following in the footsteps of his other main musical influence, Lester Young, who held the chair from 1936 to 1940. During his tenure with Basie, Schneider recorded three albums, including the Grammy Award-winning 88 Basie Street. These six years of nonstop touring brought him into the company of some of America’s greatest artists, including Ella Fitzgerald, Dizzy Gillespie, Benny Goodman, Sarah Vaughan, Tony Bennett, Clark Terry, Mel Tormé, Sammy Davis, Jr., Joe Williams, Ray McKinley, Rosemary Clooney and Billy Eckstine.
He’s also worked with former Charlie Parker employers, Jay McShann and Sir Charles Thompson, with whom he recorded two CDs.Abandoning the nomadic life and returning to Chicago, Schneider embarked on a richly diverse career that blends studio work, concert performances and jazz festivals, and featured positions alongside visiting jazz heavyweights.
The many calls for his services on clarinet rekindled his love affair with the instrument, and he is now in constant demand on clarinet and saxophone, alto and tenor, by both small groups and big bands that need a soloist possessing both erudition and passion. Offers for extended travel are given special consideration if golf or skiing can be incorporated in the tour.
Schneider represents the true spirit of jazz: walking in the footsteps of the giants while expressing a vision that is entirely his own. His career and music represent a multitude of facets––constantly growing and responding to the challenge of remaining true to the great traditions of the genre while continuing to evolve as an artist.
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Bobbi Wilsyn has song on nightclub stages from Las Vegas to Atlantic City and on concert stages and at jazz festivals both nationally and internationally. Ramsey Lewis, Kurt Elling, and the late greats; Von Freeman, Eldee Young and Johnny Frigo are just some of the artists with whom she has performed.
In addition to gaining national and international recognition as the featured jazz-blues vocalist with the Chicago Jazz Ensemble, Wilsyn has performed with the Chicago Jazz Philharmonic and the Chicago Jazz Orchestra singing the repertory that inspired her as a child.
Bobbi Wilsyn & Company demonstrates that Wilsyn is also at home with a small jazz trio of great Chicago musicians. This group of music makers including pianist; Miguel de la Cerna, bassist; Paul Martin, and drummer; Charles Heath III, deliver the great jazz standards with the sounds that are reminiscent of jazz the way it used to be; sultry, smooth, and swinging!